Tuesday, May 21, 2013
Sunday, May 19, 2013
Fables of the Reconstruction - FREE Download on Amazon - May 23-24
#FREE Fables of the Reconstruction: by Hunter S. Jones wp.me/p37DRX-id via @blacksheep572 #Giveaway May23-24 #ShareSunday #StooshPR
— HunterSJones (@HunterSJones101) May 19, 2013
Sunday, May 5, 2013
The Rosie Skulls Originally Published via FoxtonFiles
Originally published via Foxton Files, May 4, 2013
http://abbiefoxton.com/2013/05/04/the-rosie-skulls/
An Interview with
Fables Of The Reconstructionauthor
Hunter S. Jones
Abbie Foxton picks brains and swaps recipes with the Queen of Zombie Erotica.
Greetings to you Pomba Gira Molambo – much respect!
When I told workmates that I was reading a most intriguing tale of zombie sex, life & death set in Steampunk London, jaws dropped and an eerie silence filled the kitchen. I couldn’t begin to describe to them how this novella affected me. How quickly it was devoured… how much I needed it.
I made some grunting noises, dragged my arse back to my bench and assumed the position – to my day in, day out . This scenario seemed so much more dire because of this book. Hunter S Jones filled me with a passion fire. This book changed my life.
Fables Of The Reconstruction is more than what it seems. It will cast a spell. In what form that manifests itself, will be up to the reader – it’s a personal thing. For me, it was the beginning of an old pursued passion, something long forgotten – a dance into the underground to expose the magic within.
I’m glad it didn’t take the heart of a virgin dove, a snake head and some Laudanum to convince The Huntress to be with us today. Her Southern charm and lust for life, shine even through the ether. Her blog Exile On Peachtree Street -another musical reference – is a homage to The Rolling Stones’ Exile On Main Street. This was an album that received it’s accolades in retrospect, but was always a darling of musos and journos around the world. This album is one of Hunter’s favourites. The Peachtree bit? Well, that’s a reference to her current digs in Atlanta Georgia.
Coincidentally, Hunter lives not far from the Pulitzer Prize winning author Margaret Mitchell. MM’s little book, Gone With The Wind – with it’s heroine Scarlett O’Hara, who fiddle dee dee’d while Tara burned - is a wonderful connection to make with Ms Jones – strong in mind and character, as Mitchell was – and it is a thrill to share the page with her.
“Thanks Abbie and thank you for having me on your blog today”. – See what I mean, a beautiful spirit (and she says ‘she is the one your mother warned you about!’ well…she still may be right about that)
In this hectic 21st Century we inhabit, full time writing is a luxurious pastime. Indie authors often have their nine to five before they even attempt to nut out a plot. An exhausting existence. It is fundamentally the life of a loner – or at least someone who likes to spend the bulk of their waking hours in their own company and thoughts. It owns and controls you. It becomes obsession. Writers make sacrifices, but in itself, the writing process can be very selfish.
It was time for Ms Jones to be in a luxurious position. Due to a severe Achilles injury, Hunter had to make a choice. Her situation put her in a classic ‘T’ – two paths to go down.
“Was it a quick decision for you to turn your unfortunate predicament into a positive experience?”
“The decision to write following my accident was something I saw as an opportunity. I had been having dreams about Pierre for years and decided to begin writing them down”.
Monsieur Pierre von Minzle is the most ‘gorgeous’ Belgian Zombie ever to walk London’s Whitechapel circa 1890. His sexual prowess and spell over the insatiable prostitute and partner in brain crime, Mary Montague, will sizzle your mind and make it very hard for you to walk. 
Minzle’s forked tongue – an added bonus to quivering quims.
Minzle’s forked tongue – an added bonus to quivering quims.
“From there, the story ofFables Of the Reconstruction developed – The working title was Fables Of The Reconstruction Of My Leg. So, there is a hidden meaning there, too”.
“Well, It’s good to see you had some humour during your ordeal, takes time to heal and you probably felt a little like a Zombie reanimating – learning to walk, like Bambi taking his first steps?”
“In your storytelling style throughout Fables…, it feels like you are paying homage to one of your favourite authors Anne Rice, in that you use an interview style like narrative – character’s thoughts in first person that have a journalistic rhythm – Hunter as reporter, but not as Gonzo as her namesake. Was this approach a conscious take to reveal the story or just channeled naturally?”
“The story began as Pierre watching Mary Montague’s every move. Then, watching all the characters – something of an all seeing – all knowing point of view. My editor felt it was too complicated for an author who had no audience, so the story developed in the first person format”.
“A omnipotent voyeur would have made his character even more powerful, too potent. He is a most magnificent creation.”
“You couldn’t have picked a more seductive, strange and powerful diety for your Fables…than Pomba Gira. What was the lure that chose you to her or her to you?”
“While researching Voodoo, Pomba Gira kept appearing. So, I began researching Her. She is revered in African, Spanish, Portuguese and in some Haitian and Santeria cults. She is also the Goddess of the Guitar. Being from Nashville, there was nothing to do but dedicate my first book to her and weave her in, in some fashion, throughout Fables…”
“Many of your ideas come to you in dreams and in water. This imagery conjures a birth of ideas. Dreams I get, but what is it about the water?”
“I really don’t know, but an idea can appear to me even when I’m doing something as simple as washing dishes”.
“I can’t see you washing dishes. I just envisage you sitting on the porch with your black lace fan, writing, sipping mint juleps. Talking of visions… that cover! It is what initially drew me to your work. Great design.”
“Robin Ludwig does all my artwork and design layout. Her talent and insight are amazing. For Fables… cover, I sent her three pictures and let her know the colour scheme had to be black-white-red”
“What is the significance of the colour scheme?”
“My three favourite colours and Pomba Gira’s colours are red & black. So it was a no brainer (pun intended). Robin returned the draft to me THAT afternoon. She so understands my vision”.
The novella is such a seductive size to read, an hour of your time and your lost in the lamplight. It is a perfect vehicle for Hunter’s words, well at least for the time being. When I think about Zombies in film, literature and cultures around the world, they are usually linked with the deprived. A history linked with slavery and voodoo cults. InFables Of the Reconstruction no one is spared. Hunter has joined the upper and under classes ‘in this undead world together’ The English author R.J Askew – on reviewingFables…http://www.goodreads.com/review/show/571539912 – asked the question ‘perhaps life makes Zombies of us all’. A demanding life to devour more. An observation that Hunter agrees. But don’t think that that reality lessens the erotic rumblings that rage on every page.
“The sex you describe is mind blowing! And you don’t muck around. I suppose being a novella there was no time to waste. Did you challenge yourself to see just how ‘down and dirty’ you could go?”
“No…There was no challenge. It was that crazy Pierre! But really, can you write about prostitutes and not include sex?
“A little bit of a challenge”. ‘Mary made the bed then went to the kitchen to make tea’…”Maybe? …not as fun though as your Zombie ladies of the night”.
“You are somewhat of an anglophile. One gets a feel you know and have a historical sense of the place – it’s mood and cadence - all cogs, leg o’muffin sleeves and corsets. Is this an era that you are fascinated with or does it go into a deeper past?”
“I’m not sure, Abbie. I just wanted to find a place where today’s zombies could be born. Victorian Whitechapel seemed a logical choice, so I emailed one of the top zombie experts in the UK and asked him if it would be feasible for today’s zombies to originate and hide out in Whitechapel. His reply was a one word email that said…Brilliant!”
I want that job, Zombie expert! What a pick-up line.
“You paint strong female characters, even the less fortunate Polly Poppet knows what she wants. I see strong woman references all around you from your blog to other characters you have created.”
“That’s probably due to my Cherokee ancestors. The independent nature of the Cherokee woman is legendary. Maybe some traits are inherited. Or, maybe those traits come through in my stories. The old story is that if you can find a reason to make a Cherokee woman stay with you, you’d better take it because she’ll move on to the next opportunity.”
“The Cherokee spirit comes to the fore in your flash fictionTales Of The New Amsterdam: The Legend. The ‘no limits… ‘ lust explosion of Suzie and Tommy was mesmerising. I love flash! They enter the bloodstream like a quick fix. Susie (also Cherokee) talks of the act of ‘taking your blanket’, if you feel compelled to take a new lover you are free to take that blanket to another man – no guilt?”
“The women were allowed to move on if a man didn’t fulfill his obligations to her or if he was found unsuitable, She could move on to a more acceptable mate. They didn’t have the cultural/societal mores that we have today. Their’s was a matriarchal society were the women made the decisions at every level.”
“Do you have an animal totem?”
“The Hawk. The Crow, The Hummingbird. The Cat. Three others will be revealed to me during life’s journey”.
“…and if you carried an amulet, what would you have in it?”
“LOVE”
That leads us on to A Celtic Tapestry. Eight female authors, eight Celtic festivals and a story on each. Hunter’s Magic In Memphis is a folktale of traditions, ritual, respect, reflection, beauty and ancestor worship. Honouring the eternal cycle of birth, life, death and rebirth. James Departs is one of the most perfect paragraphs I have ever read. Her partners in fiction equally mesmerising.
“Voodoo to Celts, similarities in the ancient practices of runes, talismans and spells. These sub cultural practices have a link wouldn’t you say”.
“Yes, all the ancient beliefs appear to have many components in common. It’s very fascinating to study them.
“Your book Fables Of The Reconstruction is taken from the same title of the brilliant 1985 release from fellow Georgia band REM. The flip-side label to that release wasReconstruction Of The Fables – a double homage with your second book release taking on the title. How is that progressing?”
“It’s on hold for a while because Pierre hasn’t given me any insight recently. Plus, I’m involved in a couple of great projects that are taking place – tell you all about them soon.”
“REM’s Can’t Get There From Here, Driver 8 – love it!”
“Fables Of The Reconstruction is one of the greatest albums of all time” agree. “There isn’t a bad song on that album. It is so complex, so layered, so beautiful. Words, imagery, music…it’s all there. Supposedly, one of the meanings is the deconstruction of literature. It’s just so deep.”
The Indie scene plays a big part in Hunters life. Indie authors and Indie music, it’s the “Independent rebelliousness of it all” that attracts Hunter and you can find her music and writing on ExPats post http://expatspost.com/?s=Hunter+S.+Jones. Creativity is more without guidelines. And, as the boys from Athens Georgia blurted ‘Philomath they know, they low down’
“So, I’ve heard in past lives, that writers were once circus performers – I’m thinking Hemingway as lion tamer, Shakespeare being shot out of a canon and Steinbeck trying to sweep Weary Willie -like, his spotlight into a dustpan. What was your act, your trick.”
“The Trapeze.”
Saturday, May 4, 2013
Sexy Seven Saturday from A Celtic Tapestry
Sexy Seven Saturday from +Hunter S. Jones #sexy7snippet from Magic in Memphis, the Yule story in A Celtic Tapestry:
Is this drink to discuss work, or are you inviting me to meet you for a drink after work?”
A chair squeaked in the background and James lowered his voice.
“I have to see you again. It doesn’t matter if it’s only for a drink. We can go to dinner. We can do whatever you want to do.
I just need to see you again.”
Is this drink to discuss work, or are you inviting me to meet you for a drink after work?”
A chair squeaked in the background and James lowered his voice.
“I have to see you again. It doesn’t matter if it’s only for a drink. We can go to dinner. We can do whatever you want to do.
I just need to see you again.”
Thursday, May 2, 2013
About.Me
http://about.me/huntersjones1
Totally cool site for creatives. You can add all your social media sites AND link to your Amazon sites, your blog, your website...EVERYTHING. It's one stop for all your media. Check it out.
Totally cool site for creatives. You can add all your social media sites AND link to your Amazon sites, your blog, your website...EVERYTHING. It's one stop for all your media. Check it out.
Wednesday, May 1, 2013
May is National Zombie Appreciation Month?
May is National Zombie Appreciation Month. Avoid the rush & download Fables now. You know you want it. fb.me/2GNN7YOyX
— HunterSJones (@HunterSJones101) May 1, 2013
Saturday, April 27, 2013
I Would Be Your Slave
“If you ever looked at me once with what I know is in you, I would be your slave.”
― Emily Brontë, Wuthering Heights
Please join me in welcoming I.J. Miller to Exile on Peachtree Street. Miller is the author of five, distinct, literary, erotic works of fiction: SEESAW was translated into two languages, with over 130,000 copies in print; WHIPPED appeared in both English and German; SEX AND LOVE, a collection of short stories, made its debut in the summer of 2011; CLIMBING THE STAIRS, a novella, was released just a year later. His latest novel, WUTHERING NIGHTS, is an erotic retelling of Emily Bronte’s classic, Wuthering Heights, and is published by the Grand Central Publishing imprint of Hatchette Books. It is available now as an e-book and will be in bookstores as a trade paperback and audio book on April 23. Miller has a Master of Fine Arts from the American Film Institute and has taught creative writing and screenwriting at the university level.
The following previously appeared in The Huffington Post, April 23, 2013...
AN EROTIC HISTORY
by I.J. Miller
The year was 1970 B.E.L.J. (Before E.L. James) and I was a freshman in high school. Midnight Cowboy (1969) had just become the only X-rated movie ever to win the Oscar for Best Picture, foreshadowing a decade of sexually bold expression. In literature, there were uninhibited erotic books like The Happy Hooker (1971), Fear of Flying (1973), My Secret Garden (1973), Delta of Venus (posthumously published in 1977) that helped pave the way for the quality sensual writing available today. All of this explicit material sizzled on the page, but, like the films of that era, earned their mainstream success because of their intelligence and good writing.
During the eighties there was a wide gap between what was mainstream and what was underground. Thanks to the writers of the previous decade, if a book was erotic, well-written, and told a good story it would be marketed as a literary book. My first novel, Seesaw (1983), written using my real name, is a graphic recounting of a high school teacher’s dominant/submissive affair with a student, yet it was released with the rest of the hardcovers that winter season, translated into two languages, and reviewed by the L.A. Times, Publisher’s Weekly, and Library Journal.
At the other end was loosely plotted, explicit erotic fiction focused mainly on titillation, usually found in adult bookstores located in the seedy part of town, with mostly men slipping quietly through its side doors. This erotica, similar to some of the material published now, would sometimes have a pseudo-analysis included, written by a so-called psychiatrist, in order to avoid a pornography charge. Can you imagine Dr. Phil checking in at the end of your next erotic read?
In the early nineties I started a family, worked full time to make ends meet, while I labored on the side to write. Despite the financial struggles many experienced during this period’s tenuous economy, the increasing affordability of home VCRs caused the near disappearance of XXX adult theaters, the flourishing of sex videos over books in adult bookstores, and the appearance of bold Main St. rental locations with large X-rated video sections. Mostly men seemed to support this hardcore side, perhaps because they tend to be more visual, or the material was targeted directly at them, or because there were fewer stigmas when a man rented a dirty video.
At the same time, chain bookstores exploded at malls and airports, many with discreet sections called Erotica, housing softcore fiction appealing mostly to women. The annual Best American Erotica (beginning in 1993) and The Mammoth Book of Erotica (1994) are two anthologies that helped inspire the numerous erotic short story collections that are still popular today. Although the female audience for this material widened, I suspect it was limited by the very public walk from the Erotica shelves to the cash register.
The first decade of the twenty-first century seemed almost as conservative as the early sixties. An X-rating for a movie was the kiss-of-death at the box office. Major publishers shied away from mainstreaming explicit sexual material at first, whether it was well-written or not. Then along came Print-On-Demand technology and the explosion of E-books, which opened up vast opportunities with self-publishing and independent presses. The erotica market grew in leaps and bounds. More people could produce sexy books on their own and make them available at a nominal cost. Most significantly, on-line purchasing did for erotic books what VCRs and now Movies-On-Demand did for X-rated videos. It allowed men and women to buy this material discreetly and read it in the privacy of their own homes...although it still seemed to be mostly women filling up their E-readers with erotic stories about hung cowboys and sexy threesomes.
Despite the boom in erotic writing, it wasn’t quite out of the closet. Major publishers developed small erotic imprints, but focused more on other genres. Many traditional and self-published authors used pseudonyms. This material, with its bold, racy covers, whether E-book or not, was rarely reviewed in mainstream periodicals or carried by libraries. The orthodox rabbi of my town had checked my first novel out of the local library in 1984, provocative cover and all. But during this decade the same book wouldn’t even get through the front door.
No one could’ve predicted the 2011 perfect storm known as FIFTY SHADES OF GREY. It started by capitalizing on the independent press/print-on-demand/e-book model then grew through social media marketing and huge word-of-mouth. Author E.L. James fulfilled a classic female fantasy: the wealthy, alpha-male, tragic hero who sweeps a young girl off her feet with inventive dominance. It went against the trend of an explicit cover, opting for one that made the novel easier to review anywhere and read in public. In April, 2012 a mainstream press bought the rights and suddenly it was everywhere. The result: major publishers continue to develop their own erotic imprints, but also scour the internet to sign self-published writers to nourish this feeding frenzy. Now even your aunt is writing erotica and consumers (still mostly women) are buying truckloads of books. All of the attention is attracting a wide range of authors and the quality of some of the writing is at an all-time high.
The Fifty Shades of Grey phenomenon also helped inspire a sub-genre: the erotic mashup...which led to my writing of Wuthering Nights, an erotic retelling of the Emily Bronte classic Wuthering Heights. Heathcliff is surely the original tragic, alpha-male hero and his intense relationship with the fiery Catherine lends itself perfectly to having a few more layers peeled back through sensual lovemaking and creative BDSM.
But perhaps now, thanks to E.L. James, libraries will carry this work, my local newspaper will review it, I can someday soon go back to using my real name, and those who still prefer a paperback won’t feel compelled to buy a greeting card they don’t want in order to cover the erotic novel they’re bringing to the cash register.
You can connect with I.J. at the following links. I promise you won't regret it in the morning.
Website: http://www.ijmiller.com/
Twitter: http://twitter.com/Heathcliffian
Facebook: http://www.facebook.com/ij.miller.5
Goodreads: http://http://www.goodreads.com/author/show/4841217.I_J_Miller
I.J. Miller's buy links:
Amazon: http://www.amazon.com/Wuthering-Nights-Retelling-Heights-ebook/dp/B00AG0VMWO/ref=tmm_kin_title_0?ie=UTF8&qid=1364924178&sr=8-1
Barnes & Noble: http://http://www.barnesandnoble.com/w/wuthering-nights-ij-miller/1113763182?ean=9781455573028
Sony: https://ebookstore.sony.com/ebook/emily-bronte/wuthering-nights/_/R-400000000000000926349#productCustomerReviews
― Emily Brontë, Wuthering Heights
Please join me in welcoming I.J. Miller to Exile on Peachtree Street. Miller is the author of five, distinct, literary, erotic works of fiction: SEESAW was translated into two languages, with over 130,000 copies in print; WHIPPED appeared in both English and German; SEX AND LOVE, a collection of short stories, made its debut in the summer of 2011; CLIMBING THE STAIRS, a novella, was released just a year later. His latest novel, WUTHERING NIGHTS, is an erotic retelling of Emily Bronte’s classic, Wuthering Heights, and is published by the Grand Central Publishing imprint of Hatchette Books. It is available now as an e-book and will be in bookstores as a trade paperback and audio book on April 23. Miller has a Master of Fine Arts from the American Film Institute and has taught creative writing and screenwriting at the university level.
The following previously appeared in The Huffington Post, April 23, 2013...
AN EROTIC HISTORY
by I.J. Miller
The year was 1970 B.E.L.J. (Before E.L. James) and I was a freshman in high school. Midnight Cowboy (1969) had just become the only X-rated movie ever to win the Oscar for Best Picture, foreshadowing a decade of sexually bold expression. In literature, there were uninhibited erotic books like The Happy Hooker (1971), Fear of Flying (1973), My Secret Garden (1973), Delta of Venus (posthumously published in 1977) that helped pave the way for the quality sensual writing available today. All of this explicit material sizzled on the page, but, like the films of that era, earned their mainstream success because of their intelligence and good writing.
During the eighties there was a wide gap between what was mainstream and what was underground. Thanks to the writers of the previous decade, if a book was erotic, well-written, and told a good story it would be marketed as a literary book. My first novel, Seesaw (1983), written using my real name, is a graphic recounting of a high school teacher’s dominant/submissive affair with a student, yet it was released with the rest of the hardcovers that winter season, translated into two languages, and reviewed by the L.A. Times, Publisher’s Weekly, and Library Journal.
At the other end was loosely plotted, explicit erotic fiction focused mainly on titillation, usually found in adult bookstores located in the seedy part of town, with mostly men slipping quietly through its side doors. This erotica, similar to some of the material published now, would sometimes have a pseudo-analysis included, written by a so-called psychiatrist, in order to avoid a pornography charge. Can you imagine Dr. Phil checking in at the end of your next erotic read?
In the early nineties I started a family, worked full time to make ends meet, while I labored on the side to write. Despite the financial struggles many experienced during this period’s tenuous economy, the increasing affordability of home VCRs caused the near disappearance of XXX adult theaters, the flourishing of sex videos over books in adult bookstores, and the appearance of bold Main St. rental locations with large X-rated video sections. Mostly men seemed to support this hardcore side, perhaps because they tend to be more visual, or the material was targeted directly at them, or because there were fewer stigmas when a man rented a dirty video.
At the same time, chain bookstores exploded at malls and airports, many with discreet sections called Erotica, housing softcore fiction appealing mostly to women. The annual Best American Erotica (beginning in 1993) and The Mammoth Book of Erotica (1994) are two anthologies that helped inspire the numerous erotic short story collections that are still popular today. Although the female audience for this material widened, I suspect it was limited by the very public walk from the Erotica shelves to the cash register.
The first decade of the twenty-first century seemed almost as conservative as the early sixties. An X-rating for a movie was the kiss-of-death at the box office. Major publishers shied away from mainstreaming explicit sexual material at first, whether it was well-written or not. Then along came Print-On-Demand technology and the explosion of E-books, which opened up vast opportunities with self-publishing and independent presses. The erotica market grew in leaps and bounds. More people could produce sexy books on their own and make them available at a nominal cost. Most significantly, on-line purchasing did for erotic books what VCRs and now Movies-On-Demand did for X-rated videos. It allowed men and women to buy this material discreetly and read it in the privacy of their own homes...although it still seemed to be mostly women filling up their E-readers with erotic stories about hung cowboys and sexy threesomes.
Despite the boom in erotic writing, it wasn’t quite out of the closet. Major publishers developed small erotic imprints, but focused more on other genres. Many traditional and self-published authors used pseudonyms. This material, with its bold, racy covers, whether E-book or not, was rarely reviewed in mainstream periodicals or carried by libraries. The orthodox rabbi of my town had checked my first novel out of the local library in 1984, provocative cover and all. But during this decade the same book wouldn’t even get through the front door.
No one could’ve predicted the 2011 perfect storm known as FIFTY SHADES OF GREY. It started by capitalizing on the independent press/print-on-demand/e-book model then grew through social media marketing and huge word-of-mouth. Author E.L. James fulfilled a classic female fantasy: the wealthy, alpha-male, tragic hero who sweeps a young girl off her feet with inventive dominance. It went against the trend of an explicit cover, opting for one that made the novel easier to review anywhere and read in public. In April, 2012 a mainstream press bought the rights and suddenly it was everywhere. The result: major publishers continue to develop their own erotic imprints, but also scour the internet to sign self-published writers to nourish this feeding frenzy. Now even your aunt is writing erotica and consumers (still mostly women) are buying truckloads of books. All of the attention is attracting a wide range of authors and the quality of some of the writing is at an all-time high.
The Fifty Shades of Grey phenomenon also helped inspire a sub-genre: the erotic mashup...which led to my writing of Wuthering Nights, an erotic retelling of the Emily Bronte classic Wuthering Heights. Heathcliff is surely the original tragic, alpha-male hero and his intense relationship with the fiery Catherine lends itself perfectly to having a few more layers peeled back through sensual lovemaking and creative BDSM.
But perhaps now, thanks to E.L. James, libraries will carry this work, my local newspaper will review it, I can someday soon go back to using my real name, and those who still prefer a paperback won’t feel compelled to buy a greeting card they don’t want in order to cover the erotic novel they’re bringing to the cash register.
You can connect with I.J. at the following links. I promise you won't regret it in the morning.
Website: http://www.ijmiller.com/
Twitter: http://twitter.com/Heathcliffian
Facebook: http://www.facebook.com/ij.miller.5
Goodreads: http://http://www.goodreads.com/author/show/4841217.I_J_Miller
I.J. Miller's buy links:
Amazon: http://www.amazon.com/Wuthering-Nights-Retelling-Heights-ebook/dp/B00AG0VMWO/ref=tmm_kin_title_0?ie=UTF8&qid=1364924178&sr=8-1
Barnes & Noble: http://http://www.barnesandnoble.com/w/wuthering-nights-ij-miller/1113763182?ean=9781455573028
Sony: https://ebookstore.sony.com/ebook/emily-bronte/wuthering-nights/_/R-400000000000000926349#productCustomerReviews
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